1 00:00:50,320 --> 00:00:51,640 The bell is ringing. 2 00:01:17,480 --> 00:01:18,480 -Hello. 3 00:01:19,040 --> 00:01:21,480 What are you doing here? 4 00:01:22,200 --> 00:01:24,120 Please, come in. 5 00:01:32,480 --> 00:01:37,120 -Did you see, darling? The plants bloomed last night. How nice. 6 00:01:38,320 --> 00:01:39,120 -There we are. 7 00:01:39,400 --> 00:01:43,560 -I told you, no croissants. Why are you giving them to me? 8 00:01:43,920 --> 00:01:47,680 -You've hardly eaten anything... -No croissants. 9 00:01:48,040 --> 00:01:51,320 Not even yogurt. -Do me a favor. 10 00:01:51,680 --> 00:01:52,760 -Aaah! 11 00:01:55,560 --> 00:01:57,920 -What's going on? 12 00:02:05,840 --> 00:02:07,200 -Miss Cordier? 13 00:02:08,840 --> 00:02:10,400 Miss Cordier! 14 00:02:19,560 --> 00:02:20,560 Oh, dear... 15 00:02:20,840 --> 00:02:21,680 Call 16 00:02:22,000 --> 00:02:23,520 the police! -Yes. 17 00:03:08,080 --> 00:03:11,080 -Something was was wrong. 18 00:03:11,400 --> 00:03:15,560 It was a mess. I'm not going to list them all, 19 00:03:15,880 --> 00:03:19,720 but if you look Paul, Hugo, Vincent, Antoine... 20 00:03:20,080 --> 00:03:23,880 Anyway, I thought I had to rethink it 21 00:03:24,280 --> 00:03:27,440 my romantic relationship with men. 22 00:03:27,800 --> 00:03:32,080 I relied too much on my instincts which turned out to be flawed. 23 00:03:32,400 --> 00:03:35,960 So I have to to be rational, objective. 24 00:03:36,280 --> 00:03:39,680 That's why dating apps dating apps! 25 00:03:40,000 --> 00:03:42,080 Have you heard of them? -No, I haven't. 26 00:03:42,400 --> 00:03:44,360 -I'll show you. Have a look. 27 00:03:44,680 --> 00:03:48,720 This is my profile with a nickname. Here you have a list 28 00:03:49,080 --> 00:03:53,120 of objective criteria to fill in. The algorithm searches, 29 00:03:53,400 --> 00:03:57,440 it matches you with someone who is also in the list, 30 00:03:57,800 --> 00:04:01,520 so there's no room for coincidence. And me, 31 00:04:01,840 --> 00:04:05,400 said, "No photo". Looks are too subjective. 32 00:04:05,680 --> 00:04:10,000 -Mme Chassagne, I think it's great that you think it's great 33 00:04:10,360 --> 00:04:15,400 but I don't see how I can be useful to you. A favor? 34 00:04:15,680 --> 00:04:17,240 -I was getting to that. 35 00:04:17,600 --> 00:04:21,360 This morning, the algorithm suggested a match. A meeting. 36 00:04:21,680 --> 00:04:22,480 What do you say? 37 00:04:22,800 --> 00:04:27,720 And I was wondering if it was possible that you could ask 38 00:04:28,040 --> 00:04:31,560 a technician in the security department 39 00:04:31,840 --> 00:04:35,160 who's behind pseudonym. Davidson. 40 00:04:35,480 --> 00:04:36,920 That's my game. 41 00:04:37,240 --> 00:04:41,600 He looks great except that on these dating sites, there's 42 00:04:41,920 --> 00:04:43,600 mythomaniacs. -Wait for it... 43 00:04:43,920 --> 00:04:47,400 You're asking me to investigate a suitor? 44 00:04:48,240 --> 00:04:49,000 -Yes, I am. 45 00:04:49,280 --> 00:04:50,800 -Out of the question. 46 00:05:01,240 --> 00:05:02,160 -Very well. 47 00:05:05,160 --> 00:05:07,360 If you find me 48 00:05:07,720 --> 00:05:11,120 cut into pieces, it happens all the time, 49 00:05:11,400 --> 00:05:14,360 you'll look good with your procedure. 50 00:05:14,720 --> 00:05:18,120 This may be the last time we see each other. 51 00:05:18,400 --> 00:05:20,040 -What's going on? 52 00:05:20,360 --> 00:05:21,480 -Nothing's the matter. 53 00:05:22,240 --> 00:05:23,000 Yes ? 54 00:05:23,280 --> 00:05:26,920 -An art restorer of works of art was killed 55 00:05:27,240 --> 00:05:30,480 trying to recover a painting. Ad�le is already 56 00:05:30,800 --> 00:05:32,680 on site. -Very good. 57 00:05:33,000 --> 00:05:33,720 Well... 58 00:05:34,040 --> 00:05:35,480 -I'll get it. 59 00:05:42,600 --> 00:05:46,120 -Where are we now? 10 minutes max from the Louvre! 60 00:05:46,400 --> 00:05:47,920 15mn, easy. 61 00:05:48,240 --> 00:05:49,360 He mumbles. 62 00:05:49,680 --> 00:05:50,800 -Captain! 63 00:05:51,160 --> 00:05:55,600 Aren't you interested? -Yes, I do! Of course I am! I'm very... 64 00:05:57,160 --> 00:05:59,800 -The scientist has arrived. 65 00:06:00,160 --> 00:06:02,560 -And there it goes. 66 00:06:02,840 --> 00:06:06,360 -He's been like this for two days. It's weird. 67 00:06:07,040 --> 00:06:10,600 -Are you coming? What are you doing? -Coming... 68 00:06:13,040 --> 00:06:16,280 The victim's is L�a Cordier. 32 years old. 69 00:06:16,600 --> 00:06:21,720 4 stab wounds. Thorax and heart. Neighbors didn't see 70 00:06:22,040 --> 00:06:24,480 the attacker's face. 71 00:06:24,800 --> 00:06:27,400 No sign of forced entry. She must have known him. 72 00:06:27,720 --> 00:06:30,360 -Did he have a painting? -Not a thing. 73 00:06:30,720 --> 00:06:32,240 They're sure. 74 00:06:32,800 --> 00:06:33,920 I beg your pardon. 75 00:06:34,800 --> 00:06:35,840 Lt Attias... 76 00:06:36,160 --> 00:06:37,360 -Apparently, 77 00:06:37,680 --> 00:06:40,720 he didn't find what he was looking for. 78 00:06:44,800 --> 00:06:47,400 -She was in labor. 79 00:06:48,040 --> 00:06:48,800 -What? 80 00:06:49,120 --> 00:06:50,120 -Her magnifying glass. 81 00:06:50,400 --> 00:06:52,000 It's lit. 82 00:06:59,240 --> 00:07:01,240 -Well, OK, so... 83 00:07:01,560 --> 00:07:05,040 We imagine she was there in front of her painting, 84 00:07:05,360 --> 00:07:07,480 working. 85 00:07:07,800 --> 00:07:11,920 Then she sees someone pass by. -Yes... 86 00:07:12,240 --> 00:07:17,040 -So she decides to hide the painting away from the others. 87 00:07:17,360 --> 00:07:23,680 -If he left without the painting, then it must be here, Captain. 88 00:07:24,280 --> 00:07:25,600 Right in front of us. 89 00:07:26,240 --> 00:07:27,800 -Before our very eyes... 90 00:07:31,680 --> 00:07:34,680 Why is the magnifying in the void? 91 00:07:36,600 --> 00:07:38,560 It's to do this. 92 00:07:38,840 --> 00:07:42,120 -Yes, it's a work lamp. -OK... 93 00:07:46,280 --> 00:07:48,560 Anything underneath? -Not a thing. 94 00:07:49,720 --> 00:07:53,040 Wait, pull! It moved! -I'm trying... 95 00:08:06,240 --> 00:08:07,160 Bingo. 96 00:08:09,480 --> 00:08:10,240 What's that? 97 00:08:10,560 --> 00:08:13,160 -A standard. It was used a lot in Italy, 98 00:08:13,480 --> 00:08:15,000 in the 15th century. The lamp! 99 00:08:16,400 --> 00:08:18,560 -It's worth something, 100 00:08:18,840 --> 00:08:22,360 this old piece of cloth? -It can't be... 101 00:08:22,680 --> 00:08:27,720 It doesn't have the three fleurs de but the five red cakes. 102 00:08:28,040 --> 00:08:31,360 It's the coat of arms of the Medici family in Florence. 103 00:08:31,720 --> 00:08:36,640 -Right... And, er... Is this what the killer was after? 104 00:08:38,120 --> 00:08:42,320 -I think it's a portrait by Sandro Botticelli 105 00:08:42,600 --> 00:08:44,480 in 1475. It's... 106 00:08:45,080 --> 00:08:46,880 It's exceptional. 107 00:08:47,240 --> 00:08:50,600 Captain, this piece of cloth, as you call it, 108 00:08:50,880 --> 00:08:52,360 is worth millions. 109 00:08:52,640 --> 00:08:54,360 -Hell, all right... 110 00:08:54,720 --> 00:08:57,640 -We need to send it to the Louvre lab, 111 00:08:58,000 --> 00:08:59,760 right away. OK... 112 00:09:00,120 --> 00:09:01,840 -right away. -Yes. 113 00:09:02,120 --> 00:09:05,960 -I had a Mr. Leroux, Cordier's boss. 114 00:09:06,240 --> 00:09:08,120 According to him, she worked 115 00:09:08,480 --> 00:09:11,480 on any valuable chart. -Leroux? 116 00:09:11,840 --> 00:09:12,600 -Yes. 117 00:09:12,880 --> 00:09:15,480 -What's his studio? 118 00:09:15,960 --> 00:09:17,760 -Rina... -...scimento. 119 00:09:18,120 --> 00:09:20,320 -Do you know him? -He works 120 00:09:20,600 --> 00:09:21,360 at the Louvre. 121 00:09:24,480 --> 00:09:25,240 -What? 122 00:09:25,760 --> 00:09:28,960 -Restoring a Botticelli fresco. 123 00:09:34,200 --> 00:09:36,840 Watch your step. -Thank you. 124 00:09:37,120 --> 00:09:41,480 -In the 15th century, participants in tournaments wore the colors of 125 00:09:41,760 --> 00:09:43,120 a lady on a standard. 126 00:09:43,480 --> 00:09:46,360 -Whos one did we find? 127 00:09:46,640 --> 00:09:48,760 -I'm looking for her. I'm looking for her. 128 00:09:49,120 --> 00:09:53,000 Simonetta Vespucci, the most beautiful woman in Florence. She is 129 00:09:53,360 --> 00:09:54,640 graceful. -Yes, she is. 130 00:09:55,000 --> 00:09:57,760 -Botticelli fell in love with her beauty. 131 00:09:58,120 --> 00:10:01,720 -I see. -She died at 22. Take a look, 132 00:10:02,080 --> 00:10:07,000 it's her. See it? There's an air of resemblance, eh? 133 00:10:07,320 --> 00:10:11,840 He no longer painted portraits of Simonetta because she died young, 134 00:10:12,200 --> 00:10:17,000 and then all the women he painted were like... Pictures 135 00:10:17,320 --> 00:10:19,600 of Simonetta. 136 00:10:19,880 --> 00:10:24,320 -Dream images? -Yes. As if to keep her alive. 137 00:10:24,600 --> 00:10:28,720 It's as if L�a Cordier has found the source of her inspiration 138 00:10:29,000 --> 00:10:31,600 of one of the world's greatest painters. 139 00:10:31,880 --> 00:10:34,760 Shall we visit Leroux in his studio? 140 00:10:35,120 --> 00:10:37,000 I've got my pass. 141 00:10:37,880 --> 00:10:38,720 -Leroux... 142 00:10:52,200 --> 00:10:53,240 -M. Leroux? 143 00:10:53,600 --> 00:10:55,000 -Yes? Hello. 144 00:10:55,360 --> 00:10:59,840 -F. Chassagne. I work at the musee du Louvre, we've met. 145 00:11:00,720 --> 00:11:03,960 Cpt. Verlay. We both work together. 146 00:11:04,240 --> 00:11:08,360 We'd like a word with you. -I thought you might. 147 00:11:08,720 --> 00:11:11,240 I know about Lea. 148 00:11:13,240 --> 00:11:17,480 I'm stunned. She was our our best restorer. 149 00:11:17,760 --> 00:11:20,600 -I'm so sorry for your loss. -Thank you. 150 00:11:20,960 --> 00:11:23,880 -When was the last time was the last time you saw her? 151 00:11:24,440 --> 00:11:27,120 -Uh... At home yesterday morning. 152 00:11:27,440 --> 00:11:28,480 -At home? 153 00:11:29,120 --> 00:11:29,960 -Yes. 154 00:11:30,240 --> 00:11:34,000 -What was she doing at your place? -I have another workshop. 155 00:11:34,320 --> 00:11:37,840 We were preparing the products for the frescoes. 156 00:11:38,120 --> 00:11:38,880 -Right. 157 00:11:39,240 --> 00:11:41,240 Anything in particular? 158 00:11:45,480 --> 00:11:48,600 -We had a fight. Some bullshit. 159 00:11:48,880 --> 00:11:51,960 We're not easy characters. 160 00:11:52,240 --> 00:11:53,120 -All right. 161 00:11:53,480 --> 00:11:55,720 Did you see her again? -No, I didn't. 162 00:11:56,000 --> 00:11:58,600 She left my house. 163 00:11:59,360 --> 00:12:03,120 -You weren't worried? -We fight sometimes. 164 00:12:03,440 --> 00:12:08,200 It lasts a day or two. -L�a Cordier had already told you 165 00:12:08,480 --> 00:12:10,200 about this standard? 166 00:12:14,000 --> 00:12:16,360 -A Botticelli! -I think so. 167 00:12:16,720 --> 00:12:19,120 -But I've never seen it! 168 00:12:19,480 --> 00:12:23,200 -We just discovered it. See, if I zoom in, 169 00:12:23,480 --> 00:12:27,080 right there... -(Can we do that later?) 170 00:12:27,360 --> 00:12:31,360 -(We'll do that later.) -We'll continue back in our offices 171 00:12:31,640 --> 00:12:35,760 because you were the last person to see her alive. 172 00:12:36,840 --> 00:12:41,440 -It was a little argument over a technical thing. She didn't want 173 00:12:41,720 --> 00:12:46,240 to risk damaging the fresco. For me, we had no choice. 174 00:12:49,640 --> 00:12:54,360 -M. Leroux, after his departure, you sent him... How many? 175 00:12:56,480 --> 00:12:57,480 46 text messages. 176 00:12:58,840 --> 00:13:01,880 I don't call that "a little argument". 177 00:13:02,240 --> 00:13:06,320 In the end, you threaten to fire her, ruin her career. 178 00:13:06,600 --> 00:13:09,600 -OK. The words exceeded my thoughts. 179 00:13:09,880 --> 00:13:10,640 So what? 180 00:13:11,000 --> 00:13:13,480 What's that got to do with this standard? 181 00:13:13,760 --> 00:13:16,960 -Did she take it from you? -From me?! 182 00:13:18,360 --> 00:13:21,000 The standard in my house... You've got proof 183 00:13:21,320 --> 00:13:22,080 of this? 184 00:13:22,360 --> 00:13:23,600 -Not yet. 185 00:13:23,960 --> 00:13:26,840 -I'm not talking about any standards. 186 00:13:27,200 --> 00:13:31,440 -Perhaps you didn't realize realized she'd stolen it. 187 00:13:44,640 --> 00:13:47,640 -Simonetta, she was so... 188 00:13:48,120 --> 00:13:51,120 So beautiful. The "Unparalleled". 189 00:13:51,480 --> 00:13:55,640 -French in the text. The language of courtly love. 190 00:13:56,000 --> 00:13:59,720 Well, well... Talking of courtly love! 191 00:14:00,240 --> 00:14:03,880 -Who's he? Ah... He's your knight. 192 00:14:10,360 --> 00:14:11,240 In short, 193 00:14:11,520 --> 00:14:12,960 you are his muse. 194 00:14:13,240 --> 00:14:15,720 -You could say that. -Like 195 00:14:16,080 --> 00:14:20,480 the beautiful nymph invites man to follow her in contemplative love, 196 00:14:20,760 --> 00:14:24,480 it will be divine perfection touched by earthly beauty. 197 00:14:24,760 --> 00:14:26,360 -Not too contemplative. 198 00:14:26,720 --> 00:14:30,240 Platonic love was perhaps a renaissance ideal 199 00:14:30,600 --> 00:14:35,200 but it's not my thing. Shall we read what my knight wrote to me? 200 00:14:36,360 --> 00:14:37,640 " I'm just 201 00:14:38,000 --> 00:14:40,600 "a man like any other." 202 00:14:41,480 --> 00:14:42,480 Great 203 00:14:43,360 --> 00:14:45,880 He could tell me more. 204 00:14:46,240 --> 00:14:50,000 Doesn't want to talk to me, or what? -Florence, you're just in time. 205 00:14:50,360 --> 00:14:55,000 I've got my carbon-14 dating. It gives us a date between 1460 and 1495. 206 00:14:55,320 --> 00:14:58,720 For Botticelli that fits. -What about the coat of arms? 207 00:14:59,000 --> 00:15:03,200 With the hyperspectral camera, we could see the fleurs-de-lis. 208 00:15:03,480 --> 00:15:08,600 -I'm trying to do this quickly. -Can I ask you a favor? 209 00:15:08,880 --> 00:15:12,000 I've got this. Could you analyze it for me? 210 00:15:12,360 --> 00:15:15,320 -What's in it? -It was on the nails 211 00:15:15,600 --> 00:15:20,200 of the victim. She was restoring a painting but I don't know what it is. 212 00:15:20,480 --> 00:15:24,080 -Yeah, well... Am I working for the police now? 213 00:15:31,480 --> 00:15:32,240 -Hello. 214 00:15:32,600 --> 00:15:36,120 -Vincent, you're back, it's good to see you. 215 00:15:37,320 --> 00:15:38,120 -What's up? 216 00:15:38,440 --> 00:15:42,760 -They're still trawling through the history of L. Cordier on the Internet. 217 00:15:43,120 --> 00:15:47,760 -Research on the standard? -Yes, the day before his murder. 218 00:15:48,120 --> 00:15:50,200 -What about it? -She didn't have it before. 219 00:15:50,480 --> 00:15:53,080 She stole it from Leroux. 220 00:15:53,360 --> 00:15:57,360 -We found no link to him. -They searched 221 00:15:57,640 --> 00:16:01,760 in his e-mails? His hard drive? -Yes, they've started. 222 00:16:09,480 --> 00:16:11,960 -Nice cut, that jacket. 223 00:16:12,240 --> 00:16:15,360 Do you think I'd look good in it or not? 224 00:16:15,640 --> 00:16:16,480 -Er... 225 00:16:17,440 --> 00:16:18,200 -Huh? 226 00:16:18,480 --> 00:16:24,080 -Do you want the store's address? -No... What's this? Italian? 227 00:16:24,360 --> 00:16:26,600 You look nice in it. -Thank you. 228 00:16:26,880 --> 00:16:27,880 -Huh? 229 00:16:29,120 --> 00:16:32,240 I'll take a look to see if I can find one. 230 00:16:45,880 --> 00:16:46,840 Chassagne! 231 00:16:50,360 --> 00:16:52,240 -About time. 232 00:16:52,600 --> 00:16:58,480 What's with the appointment? I feel like a KGB agent. 233 00:16:58,760 --> 00:17:00,480 Is it Florence? 234 00:17:00,760 --> 00:17:02,600 -No, it's nothing like that. 235 00:17:02,960 --> 00:17:06,320 It's got nothing to do with your daughter, it's... 236 00:17:06,680 --> 00:17:08,760 I registered on a dating site. 237 00:17:10,680 --> 00:17:14,240 I know what you think, no need to answer that. 238 00:17:14,560 --> 00:17:17,920 And the algorithm offered me a match. 239 00:17:18,240 --> 00:17:21,680 -A match? -With a girl who looks great. 240 00:17:22,000 --> 00:17:22,720 And I feel 241 00:17:23,040 --> 00:17:27,240 that she wants me to write something about me, like things I like, 242 00:17:27,560 --> 00:17:28,960 what I eat... 243 00:17:29,240 --> 00:17:32,680 -I get it. So what? -What it would take : 244 00:17:33,000 --> 00:17:37,480 I'll give you the ideas, and you put them into shape. 245 00:17:38,080 --> 00:17:39,800 Please... 246 00:17:40,160 --> 00:17:45,240 I'm no writer, and I'm feeling uncultured. I'll look stupid. 247 00:17:45,520 --> 00:17:49,200 -Are you asking me to pick up a girl for you? 248 00:17:49,520 --> 00:17:53,200 -Right away the big words. -What's that, then? 249 00:17:53,480 --> 00:17:58,280 -I only know two intellectuals. You and your daughter. I'm not going to 250 00:17:58,640 --> 00:18:02,480 ask Florence that. -Jean-Marc, you have the results 251 00:18:02,760 --> 00:18:05,400 from the hyperspectral camera? 252 00:18:05,720 --> 00:18:06,680 -Not yet. 253 00:18:07,000 --> 00:18:11,280 But I did analyze the product on the restorer's fingers. 254 00:18:11,640 --> 00:18:14,760 It's just undercoat paint. 255 00:18:15,080 --> 00:18:16,000 -Are you sure? 256 00:18:16,320 --> 00:18:18,040 *-Yes, I'm sure. 257 00:18:18,400 --> 00:18:23,480 At the Louvre, we know how to recognize that. -OK, thanks. Kisses. 258 00:18:29,960 --> 00:18:32,720 Has anyone seen Cap. Verlay? 259 00:18:39,040 --> 00:18:40,720 -Please... 260 00:18:41,000 --> 00:18:43,320 -Well... -Please! 261 00:18:43,680 --> 00:18:44,800 -Please... 262 00:18:45,440 --> 00:18:48,200 All right, but listen carefully. 263 00:18:48,480 --> 00:18:51,920 I'll write one letter. But no more. 264 00:18:52,240 --> 00:18:53,200 -OK. -OK? 265 00:18:53,480 --> 00:18:54,240 -Great. 266 00:18:57,640 --> 00:18:59,000 Ah well, uh... 267 00:18:59,320 --> 00:19:02,040 It's your daughter. I'll be right back. 268 00:19:03,680 --> 00:19:06,960 Mme Chassagne? *-I need to talk to you. 269 00:19:07,240 --> 00:19:09,480 -I'm shopping. 270 00:19:09,800 --> 00:19:13,480 -Lea Cordier had undercoat on her nails. 271 00:19:13,760 --> 00:19:17,880 *-OK. I'm on my way to OCBC. -Restorers don't use 272 00:19:18,200 --> 00:19:19,240 undercoat. 273 00:19:19,560 --> 00:19:23,080 It's put on a white canvas before painting. 274 00:19:23,440 --> 00:19:26,560 -She wanted to paint a picture. 275 00:19:26,920 --> 00:19:27,680 -No, she didn't. 276 00:19:28,000 --> 00:19:33,800 She wasn't painting. Something doesn't add up. Let's go back to her place. 277 00:19:34,160 --> 00:19:35,960 Meet me there. 278 00:19:36,240 --> 00:19:37,000 Ah! 279 00:19:37,320 --> 00:19:38,520 -Wait... 280 00:19:41,080 --> 00:19:44,880 It annoys me when hung up on like that. 281 00:19:54,960 --> 00:19:57,560 What exactly are we looking for? 282 00:20:01,080 --> 00:20:02,680 What are we looking for? 283 00:20:04,280 --> 00:20:06,920 -These... White canvas. 284 00:20:13,400 --> 00:20:14,400 Look... 285 00:20:18,800 --> 00:20:21,480 It's like a little relief. 286 00:20:21,800 --> 00:20:23,400 -Cardboard, isn't it? 287 00:20:24,000 --> 00:20:25,040 What's this? 288 00:20:25,880 --> 00:20:27,880 Oh... Easy... 289 00:20:28,720 --> 00:20:31,760 Easy, easy, easy... 290 00:20:38,240 --> 00:20:41,040 -It's a picture. The standard... 291 00:20:43,040 --> 00:20:45,480 -Why did you hide it? 292 00:20:45,800 --> 00:20:47,640 Who's this? -I know who he is. 293 00:20:47,960 --> 00:20:50,000 -Go ahead, who is it? 294 00:20:50,280 --> 00:20:52,920 -Francois Derosset, a collector. 295 00:20:53,240 --> 00:20:56,680 -We'll interrogate him. -It can't be true. 296 00:20:57,000 --> 00:21:00,560 -Why can't it be? -He died about 6 years ago. 297 00:21:00,920 --> 00:21:02,640 -Crap. -Murder. 298 00:21:05,240 --> 00:21:09,720 -On November 8, 2016, they found the body of F. Derosset 299 00:21:10,040 --> 00:21:12,920 with a bullet in his chest. 300 00:21:13,240 --> 00:21:17,720 His gun. He would have surprised an employee stealing his collection. 301 00:21:21,640 --> 00:21:23,640 -Any sign of a struggle? 302 00:21:23,960 --> 00:21:28,400 -Yes. The employee's DNA was under Derosset's fingernails. 303 00:21:31,000 --> 00:21:34,240 The gun would have gone off in the scuffle. 304 00:21:41,440 --> 00:21:44,680 -OK. Did they arrest the woman? 305 00:21:45,000 --> 00:21:48,800 -No. She ran away. Been missing 7 years. 306 00:21:51,320 --> 00:21:54,640 -I'm sure what she stole, 307 00:21:54,960 --> 00:21:59,000 is Botticelli's standard. -The investigators knew 308 00:21:59,280 --> 00:22:02,440 that he owned it? -No. It's not inventoried. 309 00:22:02,720 --> 00:22:07,240 I don't know how Derosset got it back but it seems like trafficking. 310 00:22:08,160 --> 00:22:10,160 -It's not a coincidence. 311 00:22:10,480 --> 00:22:15,240 Lea Cordier found the photo with the the standard. And if she had found 312 00:22:15,560 --> 00:22:19,400 the standard at the murderer's house? What do we have on her? 313 00:22:20,480 --> 00:22:23,720 -An art expert. She was helping Derosset 314 00:22:24,040 --> 00:22:27,240 with his acquisitions. Claire Jodelle, age 39. 315 00:22:29,920 --> 00:22:31,880 -Jodelle, Jodelle... 316 00:22:32,200 --> 00:22:33,480 It seems familiar to me. 317 00:22:33,960 --> 00:22:36,960 Let me see the "Lea Cordier" folder. 318 00:22:37,240 --> 00:22:41,920 I feel like I've seen that somewhere. Jodelle... 319 00:22:42,240 --> 00:22:44,320 "Christophe Jodelle". 320 00:22:44,680 --> 00:22:47,520 Lea worked before going to Leroux. 321 00:22:47,880 --> 00:22:52,760 Claire is his wife. Christophe Jodelle is the link between them. 322 00:22:53,080 --> 00:22:54,280 -Well played. 323 00:23:36,520 --> 00:23:37,760 -Mr. Jodelle? 324 00:23:38,080 --> 00:23:39,040 -Yes. 325 00:23:39,400 --> 00:23:43,640 -Cap. Verlay, police judiciaire. -Hello, Florence. Florence Chassagne. 326 00:23:43,960 --> 00:23:44,720 -We have 327 00:23:45,000 --> 00:23:46,680 a few questions. 328 00:23:47,000 --> 00:23:51,000 -I haven't seen my wife and I don't know where she is. 329 00:23:52,000 --> 00:23:53,040 -Wait a minute. 330 00:23:56,400 --> 00:24:00,080 Do you know this person? -Yeah, it's Lea. 331 00:24:00,440 --> 00:24:03,760 Lea Cordier. She worked for me. Why do you ask? 332 00:24:04,080 --> 00:24:05,800 -She was killed yesterday. 333 00:24:09,400 --> 00:24:10,920 Can we come in? 334 00:24:12,000 --> 00:24:13,800 -Yes, yes... Come on in. 335 00:24:19,440 --> 00:24:20,480 Wait for me 336 00:24:20,800 --> 00:24:24,040 in the living room. I'm going to wash my hands. 337 00:24:24,400 --> 00:24:25,160 -Thank you. 338 00:24:28,320 --> 00:24:29,440 -Look... 339 00:24:29,720 --> 00:24:32,800 He painted his wife Botticelli style. 340 00:24:33,160 --> 00:24:35,560 -How long does that take? 341 00:24:35,920 --> 00:24:38,280 -I don't know. I imagine 342 00:24:38,640 --> 00:24:41,280 it takes weeks. -Weeks? 343 00:24:41,640 --> 00:24:43,720 -A 2nd. -He must be 344 00:24:44,000 --> 00:24:46,480 very much in love with his wife. 345 00:24:53,240 --> 00:24:54,520 -(Captain... 346 00:24:56,920 --> 00:24:58,240 (Come and see... 347 00:25:33,000 --> 00:25:33,880 (Wow...) 348 00:25:34,200 --> 00:25:36,760 -(He's completely nuts.) 349 00:25:38,320 --> 00:25:40,760 -You must think I'm crazy. 350 00:25:41,080 --> 00:25:43,000 -Well... -I don't. 351 00:25:43,320 --> 00:25:44,080 -No. 352 00:25:44,440 --> 00:25:46,000 It's just that... 353 00:25:46,280 --> 00:25:50,040 Did you paint all the portraits of your wife? 354 00:25:50,400 --> 00:25:51,720 -Yes. -Yes, I... 355 00:25:53,240 --> 00:25:55,440 -It allows me to live without her. 356 00:25:56,160 --> 00:26:00,400 -But... Why do you imitate Botticelli's style? 357 00:26:01,160 --> 00:26:05,520 -Claire and I were very fond of him. We met through him. 358 00:26:05,880 --> 00:26:06,640 -Ah... 359 00:26:07,760 --> 00:26:10,320 He's your favorite painter. 360 00:26:11,080 --> 00:26:16,000 -You could say that. Well... You wanted to talk to me about Lea? 361 00:26:16,280 --> 00:26:17,040 -Yes, I did. 362 00:26:17,640 --> 00:26:21,040 Did you know her well? -Not especially. 363 00:26:21,400 --> 00:26:26,000 She worked for me for 3 years. Never had a complaint. 364 00:26:26,320 --> 00:26:30,160 -OK. And your wife, did she know her? 365 00:26:31,880 --> 00:26:33,760 -Why do you ask? -We think 366 00:26:34,080 --> 00:26:38,440 that Cordier's murderer was looking for an standard that your wife stole 367 00:26:38,720 --> 00:26:39,480 from F. Derosset. 368 00:26:39,800 --> 00:26:42,320 -What?! -An standard like that. 369 00:26:45,680 --> 00:26:47,720 Have you ever seen it? 370 00:26:48,720 --> 00:26:50,200 -Looks like a... 371 00:26:50,480 --> 00:26:52,920 -Yes, it's a Botticelli. 372 00:26:53,640 --> 00:26:57,000 It speaks to you. He's your favorite painter. 373 00:26:57,280 --> 00:27:03,520 To go from Claire to L. Cordier, there had to be an intermediary. 374 00:27:03,880 --> 00:27:06,880 Someone who knew both of them. 375 00:27:13,240 --> 00:27:15,760 *-When my wife disappeared, 376 00:27:16,080 --> 00:27:18,480 *I gave up. 377 00:27:18,760 --> 00:27:23,200 The restaurant business, colleagues, friends... 378 00:27:23,480 --> 00:27:29,160 7 years since I've seen Lea. She's gone gone to work for Guillaume. 379 00:27:29,480 --> 00:27:31,200 -Guillaume Leroux? 380 00:27:31,480 --> 00:27:34,920 -It was thanks to me that she she entered his workshop. 381 00:27:35,240 --> 00:27:39,880 He was a... friend. -And now, what do you do? 382 00:27:47,320 --> 00:27:48,280 -I wait. 383 00:27:48,960 --> 00:27:51,480 I'm waiting to find out what happened to Claire. 384 00:27:51,760 --> 00:27:54,760 And contrary what you think, 385 00:27:55,080 --> 00:27:57,760 she would never have gone without telling me. 386 00:28:01,000 --> 00:28:04,720 -If she had warned you, what would you have done? 387 00:28:05,280 --> 00:28:07,240 -I don't understand. 388 00:28:07,520 --> 00:28:10,280 -Just imagine. She steals the standard 389 00:28:10,640 --> 00:28:13,760 and accidentally kills the owner. 390 00:28:14,080 --> 00:28:15,800 What would you do? 391 00:28:16,280 --> 00:28:18,240 -I'd call the police. 392 00:28:18,560 --> 00:28:22,160 -At no time you'd think you'll keep the standard? 393 00:28:22,480 --> 00:28:25,440 -No. -Just a moment! Lea Cordier 394 00:28:25,720 --> 00:28:29,880 has that thing somewhere! -Lea never set foot 395 00:28:30,200 --> 00:28:31,760 in my house. 396 00:28:34,480 --> 00:28:37,400 I didn't kill her. 397 00:28:37,720 --> 00:28:41,160 -Antoine, can I see you? It's important. 398 00:28:42,000 --> 00:28:46,160 We have a photo of Derosset with the standard. 399 00:28:46,480 --> 00:28:49,240 -How does it look? -You'll see. 400 00:28:50,320 --> 00:28:52,720 They enlarged the reflection 401 00:28:53,040 --> 00:28:54,400 in the glass. 402 00:28:54,720 --> 00:28:57,040 They brightened the image. 403 00:28:58,320 --> 00:28:59,680 -But it's... 404 00:29:00,000 --> 00:29:03,720 -Claire Jodelle. -She's taking the picture. 405 00:29:04,040 --> 00:29:06,440 -And the lady there? -Carole 406 00:29:06,720 --> 00:29:09,160 Demailly, art dealer. -She sold 407 00:29:09,480 --> 00:29:11,200 the standard to Derosset. 408 00:29:11,480 --> 00:29:13,200 -That's right... -I saw 409 00:29:13,480 --> 00:29:15,520 Francois shortly before his death. 410 00:29:15,880 --> 00:29:16,720 What's it to you? 411 00:29:17,040 --> 00:29:19,960 We'd known each other for 20 years. 412 00:29:20,240 --> 00:29:23,520 -You've never seen the standard? -No, I haven't. 413 00:29:30,960 --> 00:29:33,200 -There's a little reflection 414 00:29:33,480 --> 00:29:34,720 in the photo. 415 00:29:38,760 --> 00:29:41,760 We had this little reflection enlarged. 416 00:29:42,640 --> 00:29:44,000 And it looks like this. 417 00:29:44,760 --> 00:29:48,480 And we enlarged enlarged. 418 00:29:49,920 --> 00:29:51,240 And then... Oh... 419 00:29:51,520 --> 00:29:53,000 It looks like you. 420 00:29:54,560 --> 00:29:55,520 Huh? 421 00:29:55,880 --> 00:29:58,480 -Yeah, well... That's funny. 422 00:29:58,800 --> 00:29:59,800 It's you. 423 00:30:01,160 --> 00:30:03,760 It's a shame to lie to us. 424 00:30:04,400 --> 00:30:06,280 It's not very chic. 425 00:30:06,920 --> 00:30:11,480 -We know you sold the standard to Derosset and that Claire 426 00:30:11,800 --> 00:30:15,280 accidentally killed her boss to steal it. 427 00:30:15,640 --> 00:30:16,880 But we don't know 428 00:30:17,200 --> 00:30:19,560 what happened next. 429 00:30:20,280 --> 00:30:22,520 -I have no idea. 430 00:30:25,400 --> 00:30:28,480 -Did you have any contact with Claire? 431 00:30:28,760 --> 00:30:32,720 -Only at the sale. She did the appraisal. 432 00:30:33,000 --> 00:30:34,720 -She didn't call you back 433 00:30:35,000 --> 00:30:38,240 after the robbery? -Why would she do that? 434 00:30:39,720 --> 00:30:44,000 -You know, when people lie, weirdly, I imagine things. 435 00:30:44,320 --> 00:30:46,640 -The same! -Really? 436 00:30:46,960 --> 00:30:48,760 -I imagine the worst. 437 00:30:49,080 --> 00:30:49,880 -There you are. 438 00:30:50,200 --> 00:30:54,280 I'm thinking reselling the standard, doubling the bet, it's interesting. 439 00:30:54,960 --> 00:30:58,680 -I had no interest in selling this standard. 440 00:30:59,000 --> 00:30:59,880 -You didn't? 441 00:31:00,200 --> 00:31:01,720 Why not? 442 00:31:03,920 --> 00:31:06,720 -Because it's not a Botticelli. 443 00:31:21,680 --> 00:31:23,000 -Yes, Florence. 444 00:31:28,440 --> 00:31:29,200 -How about it? 445 00:31:29,480 --> 00:31:32,720 -The Louvre lab put the standard 446 00:31:33,000 --> 00:31:36,480 under the hyperspectral camera. -Finally. What does it look like? 447 00:31:36,800 --> 00:31:40,480 -The coat of arms has been touched up recently. 448 00:31:40,760 --> 00:31:43,680 -Crap... -That ain't no Botticelli. 449 00:31:44,000 --> 00:31:47,640 -OK. So who.., who painted this thing here? 450 00:31:47,960 --> 00:31:52,000 -It's not a "thing." -You know what I mean. 451 00:31:52,320 --> 00:31:56,240 Who painted this... standard? -No, I don't know. 452 00:31:56,520 --> 00:32:00,680 All art deserves respect. -I quite agree. Who painted it? 453 00:32:01,000 --> 00:32:01,720 -A student 454 00:32:02,040 --> 00:32:06,320 of Botticelli. Everyone wanted wanted Simonetta's portraits, 455 00:32:06,680 --> 00:32:09,480 so he delegated to his students. 456 00:32:09,760 --> 00:32:12,720 -So Demailly had it retouched 457 00:32:13,000 --> 00:32:15,200 to make it look like a Botticelli. 458 00:32:15,480 --> 00:32:18,760 -It's possible... Let me explain. 459 00:32:19,080 --> 00:32:23,440 The Perudi family coat of arms, who are the sponsors 460 00:32:23,720 --> 00:32:25,000 of the standard, 461 00:32:25,280 --> 00:32:28,320 is six pears. The Medici's are these. 462 00:32:28,680 --> 00:32:32,040 So all you had to do to erase a pear 463 00:32:32,400 --> 00:32:35,240 and retouch the rest in red. 464 00:32:35,560 --> 00:32:36,560 Magic. 465 00:32:36,920 --> 00:32:40,000 Even Claire Jodelle was fooled. 466 00:32:40,280 --> 00:32:41,200 -Damn... 467 00:32:42,560 --> 00:32:43,640 Oh yeah... 468 00:32:43,960 --> 00:32:47,480 So, how much is it worth, this thing? 469 00:32:48,440 --> 00:32:50,240 -A hundred times less. 470 00:32:51,200 --> 00:32:55,320 -She had pulled off the perfect coup. -Big, big, big time. 471 00:32:59,880 --> 00:33:00,640 -Thank you. 472 00:33:06,160 --> 00:33:07,000 Well... 473 00:33:11,040 --> 00:33:13,480 When Claire killed Derosset, 474 00:33:13,800 --> 00:33:16,480 did you know it was to steal the standard? 475 00:33:16,760 --> 00:33:19,960 -It was the most likely thing. 476 00:33:20,240 --> 00:33:22,000 -OK. And why is that? 477 00:33:23,000 --> 00:33:26,560 -Before the sale, we had a little talk. 478 00:33:26,920 --> 00:33:31,280 I wanted to put her at ease. But she needed to talk. 479 00:33:31,640 --> 00:33:33,240 She was lonely. 480 00:33:33,560 --> 00:33:37,800 She felt that her husband was letting her down, that she 481 00:33:38,160 --> 00:33:38,920 was wasting her life. 482 00:33:40,440 --> 00:33:42,320 She wanted to leave. 483 00:33:42,680 --> 00:33:46,440 -She would have stolen the standard to get dough to leave. 484 00:33:47,560 --> 00:33:50,240 -That's what I thought. 485 00:33:50,720 --> 00:33:53,280 -Did she ever contact you again? 486 00:33:53,880 --> 00:33:54,640 -No, she didn't. 487 00:33:56,920 --> 00:33:58,520 *I swear to you. 488 00:34:03,160 --> 00:34:06,440 -I really wish it was real! 489 00:34:07,320 --> 00:34:09,560 -Don't you like it? 490 00:34:10,800 --> 00:34:14,280 Giovanni was one of my best assistants. 491 00:34:14,560 --> 00:34:17,640 -I'm not surprised. It's very successful. 492 00:34:18,000 --> 00:34:22,920 It's your style. The subject staring at the viewer, 493 00:34:23,520 --> 00:34:27,320 is strong. You're the the first that dared to do it. 494 00:34:28,080 --> 00:34:29,000 -Maybe. 495 00:34:29,320 --> 00:34:32,360 I've known a few imitators since. 496 00:34:32,640 --> 00:34:34,200 -Like Mr. Jodelle. 497 00:34:34,520 --> 00:34:38,320 -It takes something very strong to paint the same woman, 498 00:34:38,600 --> 00:34:39,480 over and over again. 499 00:34:41,400 --> 00:34:43,560 -As strong as you, 500 00:34:43,920 --> 00:34:45,320 and Simonetta. 501 00:34:48,480 --> 00:34:51,520 -He does everything not to forget her. 502 00:34:54,840 --> 00:34:56,080 -Maybe... 503 00:34:59,280 --> 00:35:03,680 Or is it to live with the guilt the guilt of having killed her. 504 00:35:06,360 --> 00:35:09,400 -We had problems, like all couples. 505 00:35:09,680 --> 00:35:10,800 -Apparently, 506 00:35:11,080 --> 00:35:15,400 it was a little more than that. -"Apparently"? Says who? 507 00:35:15,680 --> 00:35:18,640 The neighbors who heard us screaming? 508 00:35:19,000 --> 00:35:22,160 Her father who hates me? They know nothing! 509 00:35:22,480 --> 00:35:24,920 Claire never said she wanted to leave me. 510 00:35:25,200 --> 00:35:28,800 We wanted to get through this together! -Wait a minute... 511 00:35:29,080 --> 00:35:33,000 -I'd kill my wife and keep this standard in my house? 512 00:35:33,360 --> 00:35:37,000 That's ridiculous! -Except you're the only one 513 00:35:37,320 --> 00:35:40,920 who makes the connection between your wife and Lea Cordier. 514 00:35:41,200 --> 00:35:43,000 -I didn't kill anybody! 515 00:35:43,320 --> 00:35:45,400 Not my wife, not Lea! 516 00:35:50,560 --> 00:35:53,760 -The problem: you have no alibi. 517 00:35:56,360 --> 00:35:57,320 -Captain, 518 00:35:58,000 --> 00:36:01,200 you're making making the same mistake 519 00:36:01,520 --> 00:36:05,920 your colleagues made 7 years ago. You're looking in the wrong place. 520 00:36:06,200 --> 00:36:09,080 Claire wouldn't have gone to Derosset on her own. 521 00:36:09,440 --> 00:36:11,000 She was manipulated. 522 00:36:11,960 --> 00:36:16,120 If she disappeared, it's because something's happened to her. 523 00:36:16,480 --> 00:36:19,000 -I reread her statements 524 00:36:19,320 --> 00:36:22,680 at the time. Nothing has changed. The Crim' found nothing. 525 00:36:23,000 --> 00:36:28,200 -Are we missing something? -We're sure Cordier 526 00:36:28,520 --> 00:36:30,440 didn't go to his house? 527 00:36:30,760 --> 00:36:35,120 Did we search his cell phone, GPS... ? -Yes. Adele's on to it. 528 00:36:35,960 --> 00:36:40,160 We'll let him marinate in the cell and you resume the interview tomorrow. 529 00:36:40,480 --> 00:36:42,040 -That'll work. -Fine. 530 00:36:42,400 --> 00:36:43,640 Good night. 531 00:36:52,080 --> 00:36:53,000 Hm... 532 00:36:58,000 --> 00:36:59,960 Aren't you going? 533 00:37:00,280 --> 00:37:01,560 -Am I disturbing you? 534 00:37:01,920 --> 00:37:02,920 -No... 535 00:37:03,200 --> 00:37:06,000 -You want to make a call... 536 00:37:06,360 --> 00:37:07,840 To a woman... 537 00:37:08,520 --> 00:37:09,680 -No, I don't. 538 00:37:10,000 --> 00:37:14,280 -It's okay, you can tell me, we're friends. "Brothers". 539 00:37:14,560 --> 00:37:18,760 I'm dying to know. You don't have to tell me. 540 00:37:19,040 --> 00:37:22,480 I'll ask questions, you just answer yes or no. 541 00:37:22,800 --> 00:37:23,520 -Well, no. 542 00:37:23,880 --> 00:37:26,560 -That's not funny. -I don't feel like it. 543 00:37:26,920 --> 00:37:30,080 -Yes! First question. Is she sporty? 544 00:37:30,440 --> 00:37:31,160 -Yes, she is. 545 00:37:31,480 --> 00:37:35,600 I'm sporty, so she's a sportswoman. I'm such an idiot 546 00:37:35,960 --> 00:37:39,920 to be with a cerebral. -No! Does she like art? 547 00:37:40,800 --> 00:37:45,000 -Look, I don't have anyone. What I do have is work. 548 00:37:45,320 --> 00:37:46,800 I'll leave you to it. 549 00:37:47,080 --> 00:37:48,280 -I'm not leaving you. 550 00:37:52,520 --> 00:37:55,760 -Monsieur has his secrets? -No, wait a minute, 551 00:37:56,040 --> 00:37:59,480 I can see you watching me. 552 00:37:59,800 --> 00:38:02,600 -Last thing. Do you at least 553 00:38:02,960 --> 00:38:07,200 have a little photo? I have no comment. 554 00:38:07,520 --> 00:38:10,000 -Picture? Now smile. 555 00:38:10,320 --> 00:38:11,480 3,2, 1... 556 00:38:30,560 --> 00:38:32,480 But why is it ringing? 557 00:38:32,800 --> 00:38:34,600 Why is it ringing? 558 00:38:38,440 --> 00:38:42,000 Why do you ring? -So you can hear. 559 00:38:42,320 --> 00:38:43,440 -Discreet! 560 00:38:46,200 --> 00:38:49,880 -So, how does it look? -Well... Not good. 561 00:38:50,160 --> 00:38:54,360 She talks about poetry and asks me if I know Politien. 562 00:38:54,640 --> 00:38:57,000 -Politien? -Do you know Politien? 563 00:38:57,320 --> 00:39:01,000 -Yes, he's a poet of the Italian Renaissance. 564 00:39:02,200 --> 00:39:03,960 -OK... Well, er... 565 00:39:04,680 --> 00:39:08,680 Then I put... "He's a poet de la Renaissance..." 566 00:39:09,000 --> 00:39:10,160 -Wait for it, 567 00:39:10,480 --> 00:39:13,640 we can do better than that. Step aside. 568 00:39:14,000 --> 00:39:14,760 -Yes. 569 00:39:15,760 --> 00:39:19,320 -You'll see, we're going to put her out of her misery. 570 00:39:22,400 --> 00:39:23,960 "A damsel 571 00:39:24,280 --> 00:39:27,000 "more than human in face..." 572 00:39:29,440 --> 00:39:33,000 -OK... - "By lascivious zephyrs, 573 00:39:33,320 --> 00:39:36,880 "pushed to the shore..." 574 00:39:37,480 --> 00:39:40,040 -This is too much. We understand nothing. 575 00:39:40,400 --> 00:39:43,360 -With women, you can never overdo it. 576 00:39:43,640 --> 00:39:49,280 "Goes off on a shell..." -A big shell, then. 577 00:39:49,560 --> 00:39:54,560 - "And it seems heaven enjoys it." 578 00:39:55,800 --> 00:39:59,520 - "Heaven enjoys it"? That doesn't make any sense. 579 00:39:59,880 --> 00:40:00,600 -Yes, it does. 580 00:40:01,360 --> 00:40:04,400 - "It seems heaven to enjoy it. 581 00:40:04,680 --> 00:40:08,400 "You'd think you could see in her goddess eyes, 582 00:40:08,680 --> 00:40:12,640 "the sky laughs around her, and all the elements..." 583 00:40:13,280 --> 00:40:16,840 That's Politian's "Stanzas"! -Yes. Angelo. 584 00:40:17,640 --> 00:40:20,800 -It's incredible! The "Stanzas"! They were your inspiration 585 00:40:21,080 --> 00:40:24,400 for "The Birth of Venus"? -Yes. 586 00:40:24,680 --> 00:40:28,960 "It looks like the sea, the shell, true the breath 587 00:40:29,280 --> 00:40:30,360 "of the winds." 588 00:40:31,360 --> 00:40:35,280 I think your knight has very, very good taste. 589 00:40:36,880 --> 00:40:39,000 -I love your accent. 590 00:40:40,320 --> 00:40:43,480 Algorithms, they're magical. 591 00:40:43,840 --> 00:40:46,800 He's asking me out tomorrow night. 592 00:40:47,080 --> 00:40:50,120 "You wouldn't want to continue this conversation 593 00:40:50,480 --> 00:40:54,560 "over a drink? It would be nicer. Tomorrow night?" 594 00:40:54,920 --> 00:40:55,760 -Sure. 595 00:40:56,040 --> 00:40:57,520 - "Sure." -No! 596 00:40:58,080 --> 00:41:01,920 Facing reality, always means giving up. 597 00:41:02,840 --> 00:41:06,520 To renounce the ideal, perfection and beauty. 598 00:41:07,560 --> 00:41:11,160 -Well, a real guy, if he's not too bad... 599 00:41:11,480 --> 00:41:15,920 Well no, if he's even good-looking and nice, that's fine with me. 600 00:41:16,200 --> 00:41:19,520 "With joy and pleasure to discover you. 601 00:41:19,880 --> 00:41:20,800 "At last." 602 00:41:23,080 --> 00:41:23,960 -Damn... 603 00:41:24,280 --> 00:41:25,840 She said yes! 604 00:41:28,960 --> 00:41:29,680 Yes! 605 00:41:30,000 --> 00:41:33,320 -Told you! 50 years of experience, 606 00:41:33,600 --> 00:41:37,440 will always make a difference. -You, you are... 607 00:41:38,360 --> 00:41:39,920 I could kiss you. 608 00:41:40,200 --> 00:41:42,120 -No, no, it's all right. 609 00:41:42,480 --> 00:41:43,800 OK, fine. 610 00:41:59,680 --> 00:42:04,000 What are you doing? How am I going to manage this? 611 00:42:04,800 --> 00:42:07,840 I'll tell Alex to send me a message 612 00:42:08,120 --> 00:42:11,440 to pretend there's an emergency? 613 00:42:11,760 --> 00:42:14,640 But maybe... she's cute. 614 00:42:15,000 --> 00:42:17,480 -Captain... -Are you okay, Adele? 615 00:42:17,840 --> 00:42:21,200 -I'm fine. I couldn't find anything in Jodelle's computer. 616 00:42:21,520 --> 00:42:24,120 Want to take a look? -Put it down. 617 00:42:24,480 --> 00:42:26,200 I'll do it later. 618 00:42:28,000 --> 00:42:30,840 (No, now.) -What are you looking at? 619 00:42:31,120 --> 00:42:34,400 That one... -She's so beautiful, 620 00:42:34,680 --> 00:42:35,640 Simonetta. 621 00:42:36,840 --> 00:42:37,760 -You're thinking 622 00:42:38,040 --> 00:42:41,480 that we'd be disappointed if we saw her for real? 623 00:42:41,800 --> 00:42:44,600 I mean... You know... 624 00:42:44,960 --> 00:42:49,080 We idealize a meeting. You think you're gonna meet her 625 00:42:49,440 --> 00:42:51,760 and then you do. 626 00:42:52,040 --> 00:42:54,920 But it would be great on you. 627 00:42:55,200 --> 00:42:59,200 I mean, it's not the same person. It's you. 628 00:42:59,680 --> 00:43:01,640 -But that's fine. 629 00:43:02,000 --> 00:43:06,920 -That's what I say. It wouldn't not the same person. So... 630 00:43:07,200 --> 00:43:09,400 -What's your point? 631 00:43:09,680 --> 00:43:13,400 -No point. Just forget it. Can you get Jodelle to the interview room? 632 00:43:13,680 --> 00:43:17,880 But you know, with you it would be great too! I mean... 633 00:43:18,160 --> 00:43:19,440 You get the idea. 634 00:43:23,520 --> 00:43:27,000 -Are you OK? You look strange? -It's confirmed, 635 00:43:27,360 --> 00:43:30,080 he's getting weirder. 636 00:43:30,440 --> 00:43:33,080 -I'll ask Alex to... 637 00:43:34,200 --> 00:43:36,600 It's balanced and then... � 638 00:43:38,480 --> 00:43:39,600 Are you OK? 639 00:43:41,280 --> 00:43:42,120 -Hello! 640 00:43:42,680 --> 00:43:43,520 -Hello... 641 00:43:44,800 --> 00:43:45,920 -How are you? 642 00:43:54,200 --> 00:43:57,320 Jodelle's received an e-mail. 643 00:43:59,920 --> 00:44:02,520 -Find what's lost. 644 00:44:03,960 --> 00:44:04,680 Go ahead. 645 00:44:05,000 --> 00:44:06,400 Click on it. 646 00:44:08,440 --> 00:44:10,000 -It's an ad. 647 00:44:10,320 --> 00:44:13,480 -It's a Botticelli. This is the portrait 648 00:44:13,800 --> 00:44:16,600 of Giuliano de' Medici. -The ads 649 00:44:16,960 --> 00:44:20,200 with Botti what's-his-name, there must be plenty of them. 650 00:44:20,520 --> 00:44:24,680 -Except that Julien de Medici, was Simonetta's lover. 651 00:44:25,000 --> 00:44:26,000 Look at 652 00:44:26,360 --> 00:44:28,320 the dove. It's a symbol 653 00:44:28,600 --> 00:44:32,400 of fidelity. I'm sure it's not an ad. 654 00:44:32,680 --> 00:44:36,280 Look for something. It's not a coincidence. 655 00:44:36,560 --> 00:44:37,880 -OK... 656 00:44:38,160 --> 00:44:38,960 "Click. 657 00:44:40,840 --> 00:44:44,040 -Take a look, it's "The Birth of Venus". 658 00:44:59,480 --> 00:45:01,560 -What's that, it's... 659 00:45:13,160 --> 00:45:14,440 Oh, shit... 660 00:45:24,760 --> 00:45:36,040 Shit... 661 00:45:36,400 --> 00:45:37,120 Alex! 662 00:45:47,760 --> 00:45:52,840 -If you'll just sign... -Here you go, Mr. Jodelle. Your belongings. 663 00:45:53,120 --> 00:45:57,000 You may go home. -So I'm free. 664 00:45:57,320 --> 00:46:01,080 -Yes. There is no serious evidence to justify your indictment. 665 00:46:02,000 --> 00:46:05,320 We'll keep you up to date. Have a nice day. 666 00:46:16,120 --> 00:46:19,360 I hope we're not doing something stupid. 667 00:46:20,120 --> 00:46:24,000 Adele set up the equipment? -Yes, she has. We're all set. 668 00:46:24,760 --> 00:46:29,520 We're plugged into her computer. -It's the best way 669 00:46:29,880 --> 00:46:32,280 to get to her. 670 00:47:30,840 --> 00:47:31,960 Claire... 671 00:47:54,960 --> 00:47:55,920 -Well then, 672 00:47:56,200 --> 00:48:00,320 let's recap. 1: Christophe Jodelle didn't kill his wife. 673 00:48:00,600 --> 00:48:03,000 2: it blew up his mobile 674 00:48:03,360 --> 00:48:06,480 for the murder of L�a Cordier. -3: Claire Jodelle is in Paris. 675 00:48:06,800 --> 00:48:10,840 -So L�a Cordier could have come across her and snatched her standard. 676 00:48:11,120 --> 00:48:13,640 -Claire could have killed L�a. -Yes. 677 00:48:14,000 --> 00:48:17,000 -Sorry... It's exciting, but why 678 00:48:17,320 --> 00:48:22,320 did Claire get back in touch with her husband after 7 years? 679 00:48:22,600 --> 00:48:25,960 -I don't know, maybe she needs him. 680 00:48:26,280 --> 00:48:29,680 -She didn't send him that video for nothing. 681 00:48:30,000 --> 00:48:32,040 -She's bound to contact him again. 682 00:48:32,400 --> 00:48:36,880 -Yes, through Botticelli. It's like a code. 683 00:48:37,160 --> 00:48:40,000 -Like a code. Mme Chassagne... 684 00:48:41,600 --> 00:48:45,400 She doesn't know that you're here to decode it. 685 00:48:45,680 --> 00:48:47,640 -No, she doesn't. -Come along... 686 00:48:48,120 --> 00:48:51,360 -Well, anyway, we're not going anywhere 687 00:48:51,640 --> 00:48:54,320 until the message has arrived. 688 00:48:54,600 --> 00:48:58,640 -Meaning? -We'll stay. We have to be ready. 689 00:48:59,000 --> 00:49:02,800 -Even tonight? -Yes! All night if we have to. 690 00:49:03,080 --> 00:49:07,000 Is that a problem? -Well, er... I do... I mean... 691 00:49:08,080 --> 00:49:11,520 -Not at all. I don't have a problem with it. 692 00:49:12,840 --> 00:49:14,440 -Nor do I. 693 00:49:14,760 --> 00:49:16,760 -That's all right, then. 694 00:49:21,560 --> 00:49:25,760 -Like all night? -All night long. Till dawn. 695 00:49:37,920 --> 00:49:38,880 -Uh... 696 00:49:39,680 --> 00:49:43,440 You let me know if there's anything. I'll be in my office. 697 00:49:47,160 --> 00:49:48,440 -Still no. 698 00:49:48,760 --> 00:49:49,680 message? 699 00:49:50,000 --> 00:49:52,800 -Uh, no, no... No message at all. 700 00:49:53,080 --> 00:49:57,000 -I'm sorry, but I have a thing. I won't be able to stay. 701 00:49:57,360 --> 00:50:01,120 -I've got plans too. Can't I have something to do? 702 00:50:01,480 --> 00:50:03,680 -I didn't say you couldn't. -So do I, 703 00:50:04,000 --> 00:50:08,360 I'd rather be somewhere else, but work is work. 704 00:50:08,640 --> 00:50:09,520 I'm a 705 00:50:09,880 --> 00:50:13,800 a responsible guy, so I'm staying. -So am I, 706 00:50:14,080 --> 00:50:16,800 I'm responsible. -Um... 707 00:50:17,080 --> 00:50:19,400 -You could send me 708 00:50:19,680 --> 00:50:22,680 the message, I'll decode it remotely, and voil�. 709 00:50:23,000 --> 00:50:27,080 -It'll be quicker from here. -So you say. 710 00:50:27,440 --> 00:50:28,480 Who's there 711 00:50:28,840 --> 00:50:33,160 playing the trophy wife ? It's Bibi. I don't even know what I'm doing here. 712 00:50:33,480 --> 00:50:36,560 I'm not the one chasing after Mrs. Jodelle. 713 00:50:37,200 --> 00:50:38,000 -Damn, 714 00:50:38,320 --> 00:50:40,000 you're selfish. 715 00:50:43,280 --> 00:50:46,000 -What? What did you say? 716 00:50:47,680 --> 00:50:50,000 -I said you're selfish. 717 00:50:50,360 --> 00:50:54,600 -Excuse me, this is the world backwards! You call me 718 00:50:54,960 --> 00:50:58,840 selfish? This is the pot calling the kettle black. 719 00:50:59,120 --> 00:51:01,800 Mr. who thinks he's all alone in the world, 720 00:51:02,080 --> 00:51:05,400 eyes glued to his phone, with a kind of smile... 721 00:51:05,680 --> 00:51:09,600 Even Adele who never comments says you're weird. 722 00:51:09,960 --> 00:51:10,520 -Weird? 723 00:51:10,880 --> 00:51:12,160 -Yes! -A message. 724 00:51:13,960 --> 00:51:17,160 -Well, then... -It's the same sender. 725 00:51:21,280 --> 00:51:24,120 -Stay tuned. -She wants to be sure 726 00:51:24,480 --> 00:51:27,600 that he'll be in front his computer tomorrow at 3pm. 727 00:51:27,960 --> 00:51:29,760 -She wants to see him. 728 00:51:30,040 --> 00:51:31,360 -Well, there you go. 729 00:51:31,920 --> 00:51:34,760 You don't need me anymore! 730 00:51:35,320 --> 00:51:36,880 Can I go now? 731 00:51:37,160 --> 00:51:40,960 -She's right. If there's no message to decode, 732 00:51:41,280 --> 00:51:44,360 we don't have to stand around like idiots. 733 00:51:44,640 --> 00:51:48,640 -No need to stand around like idiots. -I know what you mean. 734 00:51:49,000 --> 00:51:51,680 You can go now. See you tomorrow. 735 00:51:52,000 --> 00:51:53,960 Have a nice evening. -Thank you. 736 00:51:54,280 --> 00:51:57,320 Good evening, Captain. -Yes, yes... 737 00:52:00,160 --> 00:52:02,600 -Commander, commander... 738 00:52:02,960 --> 00:52:03,680 -Yes? 739 00:52:04,000 --> 00:52:07,480 -Can I see you... 2 minutes? 740 00:52:07,800 --> 00:52:10,480 -Now? -Yes. 2minutes. 741 00:52:19,680 --> 00:52:22,480 I know this caf�... -You're safe here. 742 00:52:22,840 --> 00:52:25,840 -This may sound ridiculous 743 00:52:26,120 --> 00:52:29,680 but I've read a lot about serial killers... 744 00:52:30,000 --> 00:52:34,320 -Right, then... What do we do? Should I frisk him? 745 00:52:34,600 --> 00:52:38,680 -That's no fun. I really need your help. Please, come. 746 00:52:44,640 --> 00:52:48,200 You're going to tell me what he's like. -What's he like? 747 00:52:48,520 --> 00:52:52,080 -Well... If he's got a physique, for example. 748 00:52:52,440 --> 00:52:56,920 -Well, I don't know your tastes. What do you want me to say? 749 00:52:57,200 --> 00:52:58,080 -Tell me 750 00:52:58,440 --> 00:53:02,040 if it looks dangerous. It's your job. Just a moment. 751 00:53:03,480 --> 00:53:07,480 This book is our sign of recognition. 752 00:53:07,840 --> 00:53:08,760 -All right. 753 00:53:10,800 --> 00:53:15,520 -And here's the little chardonnay. Enjoy your evening, ladies. 754 00:53:15,880 --> 00:53:20,080 -What's up? -Well, I don't see anything. Yes! With a book. 755 00:53:20,440 --> 00:53:22,200 -How is it? -His book? 756 00:53:22,520 --> 00:53:25,000 -No, it's not funny. Him. 757 00:53:25,320 --> 00:53:27,000 -There's no-one. 758 00:53:27,320 --> 00:53:28,040 Yes, there is. 759 00:53:28,400 --> 00:53:29,480 I can see it... 760 00:53:29,800 --> 00:53:31,280 He looks great. 761 00:53:31,560 --> 00:53:34,400 -But... -He's all right. Really smart. 762 00:53:35,120 --> 00:53:36,920 No, it's not. 763 00:53:38,760 --> 00:53:39,480 Ah, 764 00:53:39,840 --> 00:53:40,600 there. 765 00:54:04,480 --> 00:54:05,840 -Is he ugly? 766 00:54:06,120 --> 00:54:08,480 -No, he's not ugly. 767 00:54:08,800 --> 00:54:10,480 He looks a little 768 00:54:10,840 --> 00:54:13,520 ah... He's kind of like... 769 00:54:15,320 --> 00:54:16,040 Antoine. 770 00:54:16,400 --> 00:54:17,400 -Antoine? 771 00:54:19,200 --> 00:54:20,960 That's not right! 772 00:54:21,280 --> 00:54:24,640 -If you don't want someone who looks like Antoine, no. 773 00:54:27,480 --> 00:54:29,360 -Wait, I... 774 00:54:30,000 --> 00:54:34,040 I shouldn't judge on appearances. Do we have a deal? 775 00:54:34,400 --> 00:54:39,600 Personality-wise, he may be nothing like Antoine. 776 00:54:39,960 --> 00:54:42,200 -No. -Why "no"? 777 00:54:42,520 --> 00:54:44,000 -Because it's Antoine. 778 00:54:59,120 --> 00:55:01,160 -It can't be... 779 00:55:02,800 --> 00:55:06,000 It's impossible. Can you see Antoine reading this? 780 00:55:06,320 --> 00:55:07,280 -No. 781 00:55:07,960 --> 00:55:11,000 But it's Antoine. -I know, I saw. 782 00:55:11,360 --> 00:55:12,080 So, 783 00:55:12,440 --> 00:55:15,640 thank you, commandant. I'll manage. 784 00:55:16,160 --> 00:55:18,800 It's all right, sir. Take my book. 785 00:55:19,080 --> 00:55:20,280 -Are you sure? 786 00:55:20,840 --> 00:55:21,920 -Absolutely. 787 00:55:22,920 --> 00:55:24,360 -A big mess. 788 00:55:55,440 --> 00:56:01,280 -Good evening. Uh... 789 00:56:02,520 --> 00:56:05,280 What are you doing here? 790 00:56:05,840 --> 00:56:06,560 -What am I doing here? 791 00:56:07,080 --> 00:56:11,160 -You can't be here. Sorry, I can't. 792 00:56:11,480 --> 00:56:12,920 -It's a party 793 00:56:13,200 --> 00:56:16,600 party? It doesn't look private, but... 794 00:56:16,960 --> 00:56:19,520 -No, it's not private 795 00:56:19,880 --> 00:56:23,800 but since I have an appointment, you can't stay. 796 00:56:24,080 --> 00:56:28,120 -Are you interested in Italian poetry of the 15th century? 797 00:56:28,480 --> 00:56:32,480 -Yes... No, it's not for me, it's for a gift. 798 00:56:32,800 --> 00:56:35,400 -No offense, 799 00:56:35,680 --> 00:56:38,280 Politien, it's really... 800 00:56:39,680 --> 00:56:40,960 It's sharp. 801 00:56:41,880 --> 00:56:43,560 -It is? Sharp? 802 00:57:01,560 --> 00:57:02,360 -Daddy? 803 00:57:05,560 --> 00:57:08,800 It's Politian's "Stanzas". -Angelo. 804 00:57:09,080 --> 00:57:10,680 -It's incredible. 805 00:57:11,000 --> 00:57:14,280 He's writing me Politian's "Stanzas". 806 00:57:18,000 --> 00:57:18,960 -But wha... 807 00:57:27,600 --> 00:57:30,360 What is she doing here? 808 00:57:51,280 --> 00:57:53,760 Daddy, you can do whatever you want with Cap. Verlay. 809 00:57:54,040 --> 00:57:58,000 -Honey, that girl didn't even even come. I promise you... 810 00:57:58,360 --> 00:57:59,080 I know 811 00:57:59,440 --> 00:58:05,000 You were just helping him. You do whatever you want. Macram�, knitting... 812 00:58:05,320 --> 00:58:09,040 *I don't have time. Love you. -Floflo! Oh... 813 00:58:09,400 --> 00:58:11,000 She hung up. 814 00:58:14,680 --> 00:58:15,800 -Florence... 815 00:58:16,560 --> 00:58:20,600 You're not troubled by such a coincidence? 816 00:58:27,960 --> 00:58:30,200 Plato... Plato, 817 00:58:30,520 --> 00:58:34,960 he says in "The Banquet"... -I know. The myth of soul mates, 818 00:58:35,280 --> 00:58:38,800 blah, blah, blah... You find out that Cap. Verlay has 819 00:58:39,080 --> 00:58:40,160 a soul mate? 820 00:58:40,480 --> 00:58:44,840 -Love goes beyond appearances. That's a great thing. 821 00:58:45,120 --> 00:58:49,840 -No, no naive Platonism. I've already had it. 822 00:58:50,120 --> 00:58:52,480 Thank you. Now we're talking 823 00:58:52,800 --> 00:58:57,160 in "Oedipus revisited". It's not the son who wants to marry his mother 824 00:58:57,480 --> 00:59:00,960 but the father who's hitting on his daughter. -Don't worry. 825 00:59:01,280 --> 00:59:04,040 Fate is stronger than anything. 826 00:59:04,400 --> 00:59:08,800 -Fate has a strong back. I've got some words for that algorithm. 827 00:59:09,080 --> 00:59:10,000 -Mme Chassagne, 828 00:59:10,320 --> 00:59:14,400 we have to be ready for the message. -Yes, of course. 829 00:59:15,840 --> 00:59:17,840 Coming. -Wait for it... 830 00:59:18,120 --> 00:59:19,200 I'll... -What? 831 00:59:19,520 --> 00:59:22,280 -I want to tell you... -No. 832 00:59:22,560 --> 00:59:24,560 -Yes, I do. About last night... 833 00:59:24,920 --> 00:59:27,640 -Don't worry, I've got it all figured out. 834 00:59:28,000 --> 00:59:32,440 -What's that? -I've got my father. It's all taken care of. 835 00:59:33,000 --> 00:59:35,880 -You spoke with your father 836 00:59:36,160 --> 00:59:40,000 and it's all straightened out? -Everything. Go decode 837 00:59:40,320 --> 00:59:42,000 the message. -Yes... 838 00:59:44,800 --> 00:59:47,880 What the... What did he say to her? 839 01:00:17,760 --> 01:00:18,680 30% off 840 01:00:19,000 --> 01:00:21,120 all products. 841 01:00:21,480 --> 01:00:24,560 This is St-Augustin in his study. 842 01:00:24,920 --> 01:00:25,800 -OK. 843 01:00:26,080 --> 01:00:29,600 -Is it on show in Paris? -No. It's a fresco 844 01:00:29,960 --> 01:00:33,960 in a church in Florence, in Botticelli's neighborhood. 845 01:00:34,280 --> 01:00:35,000 -Does it 846 01:00:35,360 --> 01:00:38,400 provide a meeting place? -What else? 847 01:00:38,680 --> 01:00:41,400 -I don't know what else. Is this the original? 848 01:00:41,680 --> 01:00:42,640 -This? 849 01:00:43,280 --> 01:00:45,000 I'll have a look. 850 01:00:58,080 --> 01:01:00,600 This is the original. 851 01:01:03,440 --> 01:01:05,800 -Why is he smiling? -What's he smiling at? 852 01:01:06,080 --> 01:01:06,960 -He's smiling. 853 01:01:11,960 --> 01:01:15,000 He's decoded it. -I'm calling Adele. 854 01:01:21,160 --> 01:01:23,000 -Hello? *-Where are we? 855 01:01:23,320 --> 01:01:24,520 -He's not moving. 856 01:01:24,880 --> 01:01:29,320 -If he comes out, don't let go. He's decoded the address. 857 01:01:29,600 --> 01:01:31,160 *-Count on me. 858 01:01:32,000 --> 01:01:32,760 -What's up? 859 01:01:33,040 --> 01:01:35,680 Anything? -This is different. 860 01:01:36,000 --> 01:01:36,920 -That's right. 861 01:01:37,440 --> 01:01:39,000 -Yes, that's right. 862 01:01:39,320 --> 01:01:44,160 This is the original coat of arms, of the Vespucci family. 863 01:01:44,480 --> 01:01:47,040 -But what's this coat of arms? 864 01:01:47,400 --> 01:01:48,120 -Just a moment, 865 01:01:48,480 --> 01:01:52,480 I have an app for crests. I think it's... 866 01:01:53,040 --> 01:01:53,840 here it is. 867 01:01:54,120 --> 01:01:58,080 It's the Andr� coat of arms. Edouard Andr� was a great 868 01:01:58,440 --> 01:02:01,880 collector in the 19th century, A renaissance enthusiast. 869 01:02:02,160 --> 01:02:05,080 His private mansion is now a museum. 870 01:02:05,440 --> 01:02:09,120 -Jacquemart-Andr�! There's a Botticelli there! 871 01:02:09,480 --> 01:02:12,360 -This is the place. It's safe. 872 01:02:12,640 --> 01:02:15,400 -What about the appointment time? 873 01:02:15,680 --> 01:02:19,080 -This painting is famous for its sundial. 874 01:02:19,600 --> 01:02:21,360 Have a look. -Holy... 875 01:02:21,640 --> 01:02:24,600 -The needle is on the 1, and here on the 12. 876 01:02:24,960 --> 01:02:26,120 -So noon. 877 01:02:26,480 --> 01:02:31,760 -No. It's based on the time of sunrise. So it's 12h 878 01:02:32,040 --> 01:02:36,080 after sunrise. -That would make it 8pm. 879 01:02:36,440 --> 01:02:39,520 -So the meeting place, is Jacquemart-Andr�, at 8pm. 880 01:02:39,880 --> 01:02:41,000 -In 5 hours. 881 01:02:42,640 --> 01:02:46,960 Ad�le, the rendezvous will take place at the Jacquemart-Andr� museum. 882 01:02:47,280 --> 01:02:51,600 *We'll meet there, hoping Claire is our number one suspect. 883 01:02:51,960 --> 01:02:54,400 See you there. 884 01:03:14,120 --> 01:03:16,000 -Christophe Jodelle 885 01:03:16,320 --> 01:03:18,800 entered the museum. What's this? 886 01:03:19,080 --> 01:03:22,320 -The Grand Salon. -He's heading for the Grand Salon. 887 01:03:27,640 --> 01:03:31,000 -It's OK, he's just passed me. 888 01:03:34,040 --> 01:03:37,120 He's heading to the Botticelli room. 889 01:03:37,480 --> 01:03:38,560 -Copy that. 890 01:03:52,000 --> 01:03:57,000 He's in. Nothing to be done until Claire Jodelle arrives. 891 01:03:57,320 --> 01:03:58,120 -It's working. 892 01:03:58,480 --> 01:04:00,680 *Adele, watch the entrance. 893 01:04:01,000 --> 01:04:01,800 OK. 894 01:04:29,960 --> 01:04:31,000 I see her! 895 01:04:31,320 --> 01:04:35,160 -Where? Where do you see her? *-She's already upstairs. 896 01:04:35,480 --> 01:04:40,000 She came in the other way. -You didn't see her come in? 897 01:04:40,360 --> 01:04:43,320 -No, I didn't see her. -Adele, where is she? 898 01:04:43,600 --> 01:04:45,920 -She'll be right behind you. 899 01:04:51,480 --> 01:04:54,400 -She just passed me. 900 01:05:27,560 --> 01:05:31,800 No one move. We wait to see what she has to say. 901 01:05:50,040 --> 01:05:51,440 Something's wrong. 902 01:05:51,760 --> 01:05:53,600 -Did she spot you? *-No. 903 01:05:54,640 --> 01:05:55,440 -What's wrong? 904 01:06:01,640 --> 01:06:03,800 -She's leaving. -I'm on my way. 905 01:06:10,640 --> 01:06:13,920 -Claire... -Mr. Jodelle, stay with me. 906 01:06:14,200 --> 01:06:16,040 -What are you doing here? 907 01:06:16,400 --> 01:06:17,600 -I beg your pardon. 908 01:06:28,160 --> 01:06:30,560 -Back stairs. 909 01:06:43,440 --> 01:06:45,640 -Adele, I've lost her. 910 01:06:46,000 --> 01:06:47,040 Can you see her? 911 01:06:49,640 --> 01:06:53,800 -I lost her too. Too many many people. She's out of the field. 912 01:07:03,280 --> 01:07:04,280 Zoom in. 913 01:07:04,840 --> 01:07:07,200 Okay, I got it. What's this? 914 01:07:07,520 --> 01:07:11,880 -The Music Room. -On your right in the Music Room. 915 01:07:18,960 --> 01:07:20,040 -I can see her. 916 01:07:24,000 --> 01:07:25,480 Please... 917 01:07:29,920 --> 01:07:32,600 It's a mistake, I'm sorry. 918 01:07:32,960 --> 01:07:34,280 This isn't her. 919 01:07:37,160 --> 01:07:38,920 *She's gone. 920 01:07:39,200 --> 01:07:40,160 -It's ok... 921 01:07:46,160 --> 01:07:47,120 -Shit! 922 01:07:59,920 --> 01:08:02,000 -Can I have a word with you? 923 01:08:02,360 --> 01:08:03,480 It's urgent. 924 01:08:03,840 --> 01:08:06,120 -We'll be right back, Mr. Jodelle. 925 01:08:10,440 --> 01:08:11,640 What's the matter? 926 01:08:12,000 --> 01:08:15,640 -I found Claire Jodelle's false identity. 927 01:08:16,000 --> 01:08:19,000 She has papers in the name of Val�rie Devaux. 928 01:08:19,320 --> 01:08:23,280 -What do customs say? -She arrived yesterday from Uruguay. 929 01:08:23,640 --> 01:08:25,040 -Yesterday? -Sure! 930 01:08:26,960 --> 01:08:28,360 She wasn't 931 01:08:28,720 --> 01:08:31,840 in France when Lea Cordier was killed. 932 01:08:32,120 --> 01:08:34,600 -It can't be her. 933 01:08:35,840 --> 01:08:36,840 -OK, thanks. 934 01:08:38,760 --> 01:08:39,520 -Shit... 935 01:08:39,840 --> 01:08:42,320 Who's after your wife? 936 01:08:42,680 --> 01:08:43,400 -Who? 937 01:08:44,440 --> 01:08:48,000 You are! You're the one who set the trap. 938 01:08:48,320 --> 01:08:51,920 -It's not because of us that she ran away. She saw something else. 939 01:08:52,200 --> 01:08:56,200 There, that's you. There's your wife appears. She advances 940 01:08:56,560 --> 01:08:58,600 towards you and suddenly stops. 941 01:08:58,920 --> 01:09:02,440 She's seen someone. Does this silhouette ring a bell? 942 01:09:03,360 --> 01:09:04,120 There. 943 01:09:05,720 --> 01:09:07,600 -Did you notice it? 944 01:09:08,800 --> 01:09:12,960 -I was looking at my wife! It's been 7 years since I've seen her! 945 01:09:15,840 --> 01:09:18,640 We can't see her face. How can we be sure? 946 01:09:18,960 --> 01:09:21,800 that she was afraid of this guy? -Because of this! 947 01:09:23,560 --> 01:09:25,800 He got rid of it. 948 01:09:26,080 --> 01:09:28,040 -In a garbage can. 949 01:09:34,800 --> 01:09:36,800 -He wanted to kill her? 950 01:09:37,280 --> 01:09:38,040 -Yes, he did. 951 01:09:38,360 --> 01:09:41,840 And it was surely him who killed Lea Cordier. 952 01:09:42,600 --> 01:09:46,800 He knew about the meeting. He arrived 953 01:09:47,080 --> 01:09:48,600 right after you did. 954 01:09:48,920 --> 01:09:53,000 -We know he didn't follow you. We were watching you. 955 01:09:53,280 --> 01:09:55,000 -How did he know? 956 01:09:55,320 --> 01:09:58,720 -We think he has access to your e-mail account. 957 01:10:12,600 --> 01:10:14,680 -All right, let's... Let's recap. 958 01:10:15,000 --> 01:10:16,520 3 days ago, 959 01:10:16,840 --> 01:10:20,000 L�a Cordier was killed in her workshop. 960 01:10:20,920 --> 01:10:22,600 2 days later, 961 01:10:22,920 --> 01:10:25,800 Claire Jodelle arrives in Paris. 962 01:10:26,080 --> 01:10:29,240 -Has the press been talking about the standard? 963 01:10:29,600 --> 01:10:30,320 -Yes. 964 01:10:30,680 --> 01:10:33,920 We'll have to to explain that it's a fake. 965 01:10:34,200 --> 01:10:35,560 -Claire Jodelle 966 01:10:35,880 --> 01:10:40,240 knew that the standard had reappeared and that a woman had died. 967 01:10:40,600 --> 01:10:44,200 -She knew who owned it because she stole it. 968 01:10:44,560 --> 01:10:47,640 -She knew who could have killed Lea. -And on the day 969 01:10:47,960 --> 01:10:51,960 of her arrival, she reconnects contact with her husband 970 01:10:52,240 --> 01:10:54,680 to arrange a meet at the museum. 971 01:10:55,000 --> 01:11:00,400 -And some guy there wants to kill her. -From her reaction, she must know him. 972 01:11:02,360 --> 01:11:05,680 -He wants to stop her from talking. -It's because 973 01:11:06,000 --> 01:11:08,880 he's L�a Cordier's murderer. 974 01:11:09,160 --> 01:11:13,640 -We must find her before he kills her or disappears. 975 01:11:14,160 --> 01:11:18,760 This e-mail is the only way to get in touch with her. 976 01:11:19,040 --> 01:11:22,600 -You'll have to be convincing. 977 01:11:24,840 --> 01:11:28,920 -The killer... What if he gets my e-mail? 978 01:11:29,200 --> 01:11:30,960 -Send a coded 979 01:11:31,240 --> 01:11:34,240 message. -For an appointment today. 980 01:11:34,600 --> 01:11:37,880 We'll make sure he can't follow you. 981 01:11:38,160 --> 01:11:44,000 -I don't know how to code a message. -It won't really be code. 982 01:11:44,280 --> 01:11:48,440 You spent 15 years with her. There's gotta be something 983 01:11:48,800 --> 01:11:51,640 that only you know. No ? 984 01:11:52,560 --> 01:11:53,920 -Nonsense. 985 01:11:54,200 --> 01:11:58,320 Why would she agree another date with me? 986 01:11:58,680 --> 01:12:02,000 She might think I've set a trap for her. 987 01:12:02,320 --> 01:12:05,280 Why should she trust me? 988 01:12:13,520 --> 01:12:17,920 Find something that moves her, that shows her that you still care 989 01:12:18,200 --> 01:12:19,000 for her. 990 01:12:19,320 --> 01:12:21,200 I don't know, a... 991 01:12:23,320 --> 01:12:26,280 A gift you might have given her. 992 01:12:28,160 --> 01:12:31,160 Or... A song you used to listen to 993 01:12:31,520 --> 01:12:33,760 together. -I don't know. 994 01:12:34,040 --> 01:12:34,840 -No? 995 01:12:38,720 --> 01:12:39,800 -Wait... 996 01:12:53,320 --> 01:12:54,200 It's... 997 01:12:54,560 --> 01:12:57,000 It's "La divine com�die". 998 01:12:58,360 --> 01:12:59,360 By Dante. 999 01:13:00,880 --> 01:13:03,240 Illustrated by Botticelli. 1000 01:13:06,040 --> 01:13:08,640 A gift for our tenth anniversary. 1001 01:13:10,360 --> 01:13:13,040 It was a way of telling her 1002 01:13:13,360 --> 01:13:16,080 that I loved her as much as Dante loved Beatrice. 1003 01:13:20,880 --> 01:13:24,720 She was his muse... Her guide, her light. 1004 01:13:25,680 --> 01:13:28,720 -As Botticelli loved Simonetta. 1005 01:13:29,760 --> 01:13:31,080 That's good. 1006 01:13:31,400 --> 01:13:34,760 A drawing of Beatrice and Dante. It's perfect. 1007 01:13:35,040 --> 01:13:37,840 Plus, they're beautiful. 1008 01:13:38,680 --> 01:13:41,000 -What about the venue? 1009 01:13:44,080 --> 01:13:45,160 -Uh... 1010 01:13:45,520 --> 01:13:48,280 -Where did you two meet? 1011 01:13:48,640 --> 01:13:51,200 -Ch�teau de Fontainebleau. 1012 01:13:51,560 --> 01:13:54,800 I was restoring the "Renaissance Allegory". 1013 01:13:56,280 --> 01:13:58,000 -The Renaissance... 1014 01:13:58,520 --> 01:13:59,640 That's good. 1015 01:14:00,320 --> 01:14:01,080 No ? 1016 01:14:01,400 --> 01:14:03,000 -Yes, it's good. 1017 01:14:03,280 --> 01:14:05,440 It's very, very good. 1018 01:14:05,800 --> 01:14:07,000 Hum... 1019 01:14:07,280 --> 01:14:11,600 Well, it's your turn. We'll wait for you outside. 1020 01:14:29,760 --> 01:14:31,520 Do you think... 1021 01:14:34,120 --> 01:14:37,400 She'll be able to forgive him? -For what? 1022 01:14:41,000 --> 01:14:46,240 -Do you think she'll be able forgive him? Trust him again? 1023 01:14:48,880 --> 01:14:50,360 -I don't know. 1024 01:15:32,760 --> 01:15:36,440 -Seven years you've been gone, 1025 01:15:37,280 --> 01:15:40,200 "and seven years of hell. 1026 01:15:42,280 --> 01:15:44,800 "Do you remember Dante? 1027 01:15:46,920 --> 01:15:51,960 "For him, hell is like a frozen desert. 1028 01:15:52,800 --> 01:15:55,280 "Nothing to do with fire or flames. 1029 01:15:58,880 --> 01:15:59,960 "Now 1030 01:16:00,240 --> 01:16:03,360 "I know he's right. 1031 01:16:04,440 --> 01:16:07,880 "I feel the bite of the cold on my heart. 1032 01:16:08,160 --> 01:16:10,080 "Everything has stopped. 1033 01:16:11,280 --> 01:16:15,160 "The water inside me is frozen in ice. 1034 01:16:15,800 --> 01:16:18,080 "Please come back. 1035 01:16:18,400 --> 01:16:22,320 "Whatever the reasons for your silence, come back. 1036 01:16:23,080 --> 01:16:24,680 "I can help you. 1037 01:16:26,880 --> 01:16:27,960 "I love you." 1038 01:17:12,560 --> 01:17:14,000 -It's her. 1039 01:17:14,280 --> 01:17:17,840 - "OK, I agree, I'll be there." -What the... 1040 01:17:18,560 --> 01:17:19,760 Be right back. 1041 01:17:21,920 --> 01:17:23,360 She answered. 1042 01:17:23,720 --> 01:17:24,880 -Let's go! 1043 01:17:27,160 --> 01:17:29,600 What do you think? -She agreed. 1044 01:17:29,920 --> 01:17:31,960 She's going to the rendezvous. 1045 01:17:43,280 --> 01:17:45,280 -Wait a moment! The message 1046 01:17:45,640 --> 01:17:49,200 received by Claire Jodelle... The last sentence has changed. 1047 01:17:49,560 --> 01:17:51,760 - "Where the victim lies 1048 01:17:52,040 --> 01:17:53,280 "of the beggar. 1049 01:17:53,640 --> 01:17:55,440 -No. I had written: 1050 01:17:55,800 --> 01:18:01,000 "Where we met." -The killer intercepted the message. 1051 01:18:01,320 --> 01:18:03,000 -And changed the appointment. 1052 01:18:06,080 --> 01:18:10,320 -He must be found. "The beggar's victim", what does that evoke? 1053 01:18:10,680 --> 01:18:12,000 -I don't know. 1054 01:18:12,320 --> 01:18:15,600 The beggar, could be Savonarola. 1055 01:18:15,920 --> 01:18:17,000 -Savonarola? 1056 01:18:17,280 --> 01:18:19,760 -Who's that? -Savonarola? 1057 01:18:20,040 --> 01:18:21,200 -Yes. -He was 1058 01:18:21,560 --> 01:18:25,000 a Dominican preacher of the mendicant order 1059 01:18:25,280 --> 01:18:28,840 who opposed the Medici. Botticelli knew him. 1060 01:18:29,120 --> 01:18:32,640 -OK. And the victim? -Don't know. 1061 01:18:32,960 --> 01:18:36,000 -Did your wife study Savonarola? 1062 01:18:36,320 --> 01:18:37,600 -I don't think so. 1063 01:18:37,920 --> 01:18:38,840 -No? 1064 01:18:39,120 --> 01:18:42,280 -No! -Madame Chassagne, does that mean anything? 1065 01:18:42,640 --> 01:18:45,240 You always know everything! -OK. 1066 01:18:45,600 --> 01:18:48,360 The victim.., could be Botticelli. 1067 01:18:48,720 --> 01:18:51,840 That's really far-fetched. -No big deal. 1068 01:18:52,120 --> 01:18:55,640 -Savonarola thought Botticelli's painting too pagan. 1069 01:18:55,960 --> 01:18:59,680 -OK. Does it give you a location? -No, it doesn't. 1070 01:19:00,000 --> 01:19:00,760 -Shit. 1071 01:19:01,040 --> 01:19:05,320 -I'll do what I can. I'm going to think in silence. 1072 01:19:05,680 --> 01:19:08,760 -It wasn't you. -It always is. 1073 01:19:13,640 --> 01:19:16,640 Well, Savonarola... Ah, he's getting on my nerves! 1074 01:19:18,000 --> 01:19:22,240 Well, Savonarola, Savonarola, Savonarola... He's taking over 1075 01:19:22,600 --> 01:19:24,120 in 1495... No, 94. 1076 01:19:24,440 --> 01:19:28,080 The end of the century approaches, people are very afraid 1077 01:19:28,400 --> 01:19:32,640 of his apocalyptic predictions. People want to atone for their sins... 1078 01:19:32,960 --> 01:19:37,360 -He burned everything that could corrupt souls, incite 1079 01:19:37,720 --> 01:19:39,040 to sin. Fire everywhere. 1080 01:19:39,360 --> 01:19:43,640 -The Bonfire of the Vanities. He would have burned some of your work. 1081 01:19:43,960 --> 01:19:44,720 -He did. 1082 01:19:45,840 --> 01:19:49,440 So I walked away from the Medicis and all 1083 01:19:49,800 --> 01:19:51,960 my former sponsors. 1084 01:19:52,240 --> 01:19:55,200 Some ended up on "la forca". 1085 01:19:56,160 --> 01:19:59,280 I don't know how to translate it into French. 1086 01:19:59,880 --> 01:20:01,280 -The gallows. -Si. 1087 01:20:02,680 --> 01:20:03,920 -The gallows? 1088 01:20:04,200 --> 01:20:06,600 Your former sponsors? 1089 01:20:07,520 --> 01:20:08,920 Stay where you are. 1090 01:20:15,280 --> 01:20:17,560 Thank you. 1091 01:20:25,720 --> 01:20:27,840 The beggar's victim, 1092 01:20:28,120 --> 01:20:33,120 is Lorenzo Tornabuoni, hanged for opposing Savonarola. 1093 01:20:33,440 --> 01:20:36,960 -What does this have to do with the appointment? -He's the sponsor 1094 01:20:37,240 --> 01:20:39,240 of Botticelli's frescoes in the Louvre. 1095 01:20:39,600 --> 01:20:42,960 Have a look. There's Venus... There it is. 1096 01:20:43,240 --> 01:20:46,640 Your wife's over there. -Here we go. Go! Go! 1097 01:21:51,320 --> 01:21:52,600 -If you scream, 1098 01:21:52,920 --> 01:21:53,880 you're dead. 1099 01:21:56,800 --> 01:21:58,920 -What are you gonna do to me? 1100 01:22:00,800 --> 01:22:05,280 Kill me here in front of everyone? -You don't think I can do it? 1101 01:22:06,320 --> 01:22:10,720 I could rip your liver out and you couldn't do a thing. 1102 01:22:11,240 --> 01:22:12,720 It would hurt so much! 1103 01:22:14,680 --> 01:22:16,000 Listen carefully. 1104 01:22:18,000 --> 01:22:21,720 So bad you couldn't even scream. 1105 01:22:24,240 --> 01:22:26,520 You'd fall to the floor. 1106 01:22:26,960 --> 01:22:30,960 And by the time you realize it's not a malaise, 1107 01:22:31,560 --> 01:22:33,920 I'd be long gone. 1108 01:22:34,200 --> 01:22:37,440 -How did I ever fall in love with you? 1109 01:22:45,360 --> 01:22:48,000 I'm too good for you. 1110 01:22:48,280 --> 01:22:51,440 I'm going to leave him. I want to live with you. 1111 01:22:51,800 --> 01:22:54,360 -Soon. But it's too soon. 1112 01:22:57,800 --> 01:23:00,960 -You had it all figured out from the start. 1113 01:23:04,320 --> 01:23:05,760 It was easy. 1114 01:23:07,360 --> 01:23:10,000 I worked for Derosset, 1115 01:23:10,320 --> 01:23:13,600 I was your friend's abandoned wife... 1116 01:23:14,120 --> 01:23:18,560 You couldn't have asked for more. -It took you 7 years to figure that out? 1117 01:23:19,120 --> 01:23:20,040 Well done. 1118 01:23:23,760 --> 01:23:27,960 You know Derosset's apartment well. You've been there often. 1119 01:23:28,880 --> 01:23:30,880 After this, I assure you, 1120 01:23:31,160 --> 01:23:34,760 no more problems. We'll both go. 1121 01:23:39,160 --> 01:23:39,960 -Claire? 1122 01:23:56,600 --> 01:23:58,880 -Fuck, I killed him... 1123 01:23:59,160 --> 01:24:00,560 He's dead... 1124 01:24:01,920 --> 01:24:04,280 Guillaume, what do we do? 1125 01:24:04,640 --> 01:24:06,800 Call the police. 1126 01:24:07,080 --> 01:24:08,000 -No, we shouldn't. 1127 01:24:09,400 --> 01:24:11,080 You need to leave, 1128 01:24:11,400 --> 01:24:12,920 get away. -No ... 1129 01:24:13,200 --> 01:24:16,040 -Yes, yes... -I don't want to leave you... 1130 01:24:17,520 --> 01:24:20,240 -The police must not know we're together. 1131 01:24:20,600 --> 01:24:23,520 -And the standard? -I'll destroy it. 1132 01:24:23,840 --> 01:24:24,720 -What? 1133 01:24:29,080 --> 01:24:29,880 No... 1134 01:24:30,440 --> 01:24:32,360 No, no, no, no... 1135 01:24:32,720 --> 01:24:35,520 -It's evidence! 1136 01:24:36,720 --> 01:24:39,120 It's got your fingerprints on it. 1137 01:24:45,680 --> 01:24:47,840 -You killed that girl. 1138 01:24:48,120 --> 01:24:51,040 -She stole the standard. She had 1139 01:24:51,360 --> 01:24:54,720 the picture. That bitch was gonna blackmail me. 1140 01:24:55,360 --> 01:24:58,200 Come on, grab your bag and get moving. 1141 01:25:01,320 --> 01:25:03,160 -Come on, go, go, go! 1142 01:25:24,880 --> 01:25:25,640 -Police! 1143 01:25:26,240 --> 01:25:27,640 Drop the gun. 1144 01:25:28,440 --> 01:25:30,000 Drop the gun! 1145 01:25:30,560 --> 01:25:31,880 Do it now. 1146 01:25:40,040 --> 01:25:41,440 Drop the gun! 1147 01:25:41,800 --> 01:25:43,000 -Hurry up. 1148 01:25:43,680 --> 01:25:45,000 Hurry up! 1149 01:25:45,840 --> 01:25:48,080 One move, I'll light you up. 1150 01:25:48,400 --> 01:25:49,640 Hurry up! 1151 01:26:25,120 --> 01:26:26,120 -This way. 1152 01:26:31,960 --> 01:26:33,520 -We're going this way. 1153 01:26:39,880 --> 01:26:40,760 In here. 1154 01:26:45,360 --> 01:26:46,840 Sit there. 1155 01:26:47,120 --> 01:26:48,360 Take a seat. 1156 01:26:49,280 --> 01:26:52,320 Please wait, we'll come and get you. 1157 01:28:44,440 --> 01:28:47,320 -Is this your knight? -Um... 1158 01:28:47,680 --> 01:28:49,520 -Do you write to him? 1159 01:28:50,520 --> 01:28:53,000 -Yeah, well... I'm trying. 1160 01:28:54,680 --> 01:28:57,320 I don't want to be his muse anymore. 1161 01:28:59,000 --> 01:29:02,160 There's been a deception on the merchandise. 1162 01:29:02,520 --> 01:29:03,720 -Why is that? 1163 01:29:04,680 --> 01:29:09,240 -We're not talking about love here, but a huge misunderstanding. 1164 01:29:11,800 --> 01:29:15,640 Here we go. When we speak of the knight, we see his spear. 1165 01:29:24,960 --> 01:29:25,920 *-Good evening. 1166 01:29:26,440 --> 01:29:30,640 -Good evening. Excuse me but I have a very bad cold. 1167 01:29:31,240 --> 01:29:34,600 As a result, my voice completely broken. 1168 01:29:34,920 --> 01:29:37,040 I'm sorry. Uh... 1169 01:29:37,360 --> 01:29:39,720 I'm sorry for you. 1170 01:29:41,320 --> 01:29:42,680 So, uh... 1171 01:29:43,280 --> 01:29:47,080 Your video's off. Your screen is black. 1172 01:29:47,840 --> 01:29:51,920 Aren't you going to put your camera on? -No, I'd rather not. 1173 01:29:52,520 --> 01:29:54,200 *-OK... All right. 1174 01:29:56,000 --> 01:30:00,240 *Listen, um... I don't know if you made the appointment. 1175 01:30:00,600 --> 01:30:04,120 I don't know if you saw me with this girl. 1176 01:30:04,440 --> 01:30:05,200 Well... 1177 01:30:05,560 --> 01:30:09,000 *-No but, uh... Wait... Don't answer it, 1178 01:30:09,280 --> 01:30:12,200 *well, I'd rather not know. 1179 01:30:12,560 --> 01:30:14,040 Here, I, uh... 1180 01:30:14,360 --> 01:30:15,840 I wanted to... 1181 01:30:17,040 --> 01:30:20,600 Te... Te... To tell you that I've been thinking, 1182 01:30:20,920 --> 01:30:25,040 and I think that if we haven't seen each other... 1183 01:30:26,840 --> 01:30:30,080 I mean, it didn't have to happen. 1184 01:30:30,760 --> 01:30:31,520 *There. 1185 01:30:33,080 --> 01:30:35,320 -Excuse me, but I... 1186 01:30:36,280 --> 01:30:38,240 I just don't understand. 1187 01:30:40,520 --> 01:30:44,520 -Actually, I realized... that... 1188 01:30:45,520 --> 01:30:48,680 *Finally, the girl I'm talking about, 1189 01:30:49,000 --> 01:30:49,760 ah... 1190 01:30:50,240 --> 01:30:52,720 *I can't get her out of my head. 1191 01:30:54,880 --> 01:30:59,280 *That's why. I'm not ready to meet anyone else. 1192 01:31:05,160 --> 01:31:10,000 Uh... Hello? You still there? Since I can't see you, I... 1193 01:31:11,040 --> 01:31:11,840 *Hello? 1194 01:31:12,120 --> 01:31:12,920 -Yes... 1195 01:31:13,200 --> 01:31:15,240 *-Here we are. This girl, 1196 01:31:16,000 --> 01:31:18,840 I've done her a lot of harm 1197 01:31:19,400 --> 01:31:20,360 And, uh 1198 01:31:21,040 --> 01:31:24,000 I'm not finished with her yet. 1199 01:31:24,320 --> 01:31:26,280 *I'd rather be... 1200 01:31:26,920 --> 01:31:29,120 *To be honest with you. 1201 01:31:29,440 --> 01:31:32,560 I lied to myself a bit... 1202 01:31:32,880 --> 01:31:36,080 *I lied to myself a lot. 1203 01:31:37,240 --> 01:31:41,080 There you are. I'd rather not lie to you. We don't know each other, 1204 01:31:41,400 --> 01:31:42,680 it'd be stupid. 1205 01:31:44,280 --> 01:31:47,760 *So there... I'd rather leave it at that. 1206 01:31:48,040 --> 01:31:51,440 I'll just... I'm going to leave the conversation. 1207 01:31:52,000 --> 01:31:53,080 Uh... 1208 01:31:56,880 --> 01:31:57,760 Good-bye. 1209 01:32:00,520 --> 01:32:01,440 -Goodbye. 1210 01:32:47,800 --> 01:32:52,800 france.tv access 1211 01:32:52,850 --> 01:32:57,400 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0